For her Fall 2014 show, Victoria Beckham was imagining the quintessential moment a jet-setting prima donna saunters into the boardroom, stirring the long coats that slinked effortlessly with an accompanied gold chain. She has the brilliant makings of a connoisseur, a woman whose iconoclastic sensibilities to lux inclines her to the understated devotion to the use of black and white.
So with her entry into the fashion world, she surrenders all the frivolity at the runway steps (it’s as though she could not resist a languorous bout of high society in this season’s trends of prissy prints and boxy tops). Or even simply because nobody does it as steadfast as the Beckham vehicle.
The fun was in stealing her prince charming’s suits and jazzing them up with a little girl power. It wasn’t just rich-girl-gone-andro. Becks conspiratorially exercised freedom by elongating lines, updating basic dress pants and softening the collection’s masculine tinge. The notion of the raid on your husband’s wardrobe exemplifies her attachment to family life, and thus embodies the house’s essence – meet the Beckhams.
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